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    Do you need to have your stuff copyrighted before sending out? Do you need an agent first?

    Technically, the moment you write something it’s copyrighted. There are formalities you can go through (which allow you to claim certain statutory damages, in the event of a copyright infringement case) but you don’t have to worry about them at this point.

    Agents are good, but I worry that many young authors spend too much time trying to get agents. Agents are much more interested in you if you’ve already been published, and most of them aren’t interested in selling short stories, so selling short stories to magazines and suchlike places tends to be something you do without an agent. (Just make sure you aren’t selling anything other than ‘First World Serial Rights’, and that if they do not publish it within a reasonable period of time you get the rights back.)

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      Hi Neil. Your blog about fountain pens reminds me that I've always wondered where on Earth authors who handwrite their work find the courage to re-type everything afterward so it can be printed. Now I've grown up I've realised they probably don't. In my mind, either they scan their work and a smart software does that for them, either they have very, very dedicated professionals that do that. I can't be the only one to wonder. Could you please put an end to our wondering and tell us how it works?

      You type it out, changing things on the way, and making the work better. It’s called “a second draft”.

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        Mister Gaiman, you're kickass. I was just wondering, what do you think is the best way to seduce a writer? I figured your answer would be pretty spectacular.

        In my experience, writers tend to be really good at the inside of their own heads and imaginary people, and a lot less good at the stuff going on outside, which means that quite often if you flirt with us we will completely fail to notice, leaving everybody involved slightly uncomfortable and more than slightly unlaid.

        So I would suggest that any attempted seduction of a writer would probably go a great deal easier for all parties if you sent them a cheerful note saying “YOU ARE INVITED TO A SEDUCTION: Please come to dinner on Friday Night. Wear the kind of clothes you would like to be seduced in.”

        And alcohol may help, too. Or kissing. Many writers figure out that they’re being seduced or flirted with if someone is actually kissing them.

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          Hi! I was just wondering about your recent answer about seducing writers... One of your suggestions was a bit of alcohol- perfectly innocent intention in saying so, I'm sure, since going to a bar is a nice way of meeting peeps. However, there's sort of a possible (and I'm sure unintended) implication of getting someone drunk so as to sleep with them quicker, which is coercion at the least since being drunk = unable to give consent... Um idk just saying you might want to change your wording?

          Nope. I like my wording. 

          If someone reading it interprets And alcohol may help, too  as meaning I think you should get someone too drunk to be able to give their consent, then they are as profoundly mistaken as someone who takes the Or kissing that follows as meaning I’m endorsing making out with people against their will.

          Both of these things are obviously wrong things to do. But I kind of hope that I don’t have to explicitly point out wrong things all the time as the flip side of good things, or we will wind up in a bad place where nothing can be said.

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          1. 1,129
            It's Extra Magic Bonus Happy Leap Year Day!

            Please celebrate Leap Year Day in the traditional manner by taking a writer out for dinner.

            It’s been four years since many authors had a good dinner. We are waiting. Many of us have our forks or chopsticks at the ready - some of us have had them ready for days. We will repay you by drifting off while the food is being served and then suddenly scribbling something down on a scrap of paper and asking whether or not you think “passionate” could validly be said to rhyme with “cash in it”, then absent-mindedly drinking too much and trying to recite the whole of Clive James’s “The Book of My Enemy Has Been Remaindered” from memory. 

            Feed us.

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              All God does is watch us and kill us when we get boring. We must never, ever be boring.
              Chuck Palahniuk, Invisible Monsters.  Happy Birthday, Chuck.  Congrats on making it 50 years without boring the Big Guy.
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                  I have a theory that every time you make an important choice, the part of you left behind continues the other life you could have had.
                  Jeanette Winterson, Oranges Are Not the Only Fruit
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                    Suitable for Framing. 

                    Editor-In-Chief, Carlos J. Cortes

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                      I Sniff Books

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